BLADE RUNNER

Blade Runner

The film, based on Philip K. Dick’s novel “Do Androids Dream of Electric Sheep?,” takes place in Los Angeles in 2019. It follows a cop named Deckard (played by Harrison Ford) who hunts down androids — or, in the film’s jargon, replicants— that have escaped from their slave cells on outer-space colonies and are trying to blend in back on Earth.


What’s hypnotic about the film is its seamless portrait of the future, a sleek retro Deco glossed on neon-laced decay: overcrowded cities roamed by hustlers, strugglers and street gangs mumbling a multicultural argot, the sky lit by giant corporate logos and video billboards hyping exotic getaways on other planets, where most English-speaking white people seem to have fled.

The more I get involve in the cityscape which related to interior car, the more I want to know what the connection between each other.
In the movie, the giant commercial Japanese Geisha projected on the façade of giant skyscraper blurs the scale of all cityscape.
The flying-car size is just like the candy in the Japanese lady’s month.
I imagined there are a giant working system behind the lady’s face which can enter through her month.
By the flying-car arising or dropping off, the cityscape just becomes a vertical image that shrinking or blowing up randomly.
A serious of light of streetlamps become a straight light line, the shadow of tall buildings composed a dark block, parks and trees become green spots doted the cityscape...